Calligraphic book covers 2 - Michele Wetherbee
These book titles have both a very good relation between image and calligraphic words.
Calligraphic Wine label - SGA Italia
This wine label was redigned using a calligraphic name to introduce movement in the composition.
Logo for Kimberly-Clark - Karma Group
This logo was created to reflect the visual impact of the Susan G. Komen for the Cure symbol.
Book Cover for Harcourt Trade
A classic title with the subtleties of handlettering for a clean and straight forward book cover.
Calligraphic book covers - Harper San Francisco
The strength and simplicity of Zen, with a hint of whimsical and lyrical flourishes in a calligraphic book covers.
Calligraphic book covers - Michele Wetherbee
These book titles have both a very good relation between image and calligraphic words.
Hand lettring - Time Inc. magazine
Lettering with 1950's flavor, for the Invasion of the Body Snatchears article, in Fortune magazine.
Cittadella - Logotypes
This project evolved from a large study of the letterforms present in the historical archives of the city.
Book design and calligraphy - Marco Ambrosi
Da ogni contrada vicina e lontana ... is an artist book with calligraphic pages. It was commissioned by the photographer Marco Ambrosi.
Hand lettering packaging - Blimpie
For these snacks I created a specific hand lettering to give a new image and personality to Blimpie brand packaging.
Clients
Algida,
Blimpie, Time Magazine, Findus, Harcourt Trade, Harper Collins Publishers, Heineken
Italia, Klutz Press, Marchel Schurman, Mountain View Public Library,
Pepsi Cola, Giannino Stoppani.
Agencies
Landor, McCann Ercsson Italiana, ONDesign, CFNAPA, Deutch Design, Primo Angeli inc., Public Media Center, Tarcher/Putnam
Art Directors
Laura Beers, Chris Besett, Lisa Brussell, Carlo Buffa,
Kathryne Ettinger, Marilyn Green, Kate Greene, Lorena Jones, Maria
Keehan, Gary McDonald, Gina Orlando, Jonathan Padfield, Kevin Plottner,
Mary Ellen Podgorski, Jim Warner, Michele Wetherbee, Lindsay Whiting.
Venice 2010 - Workshop
An 8 days calligraphy workshop in Venice at the Correr Museum Library from Octobert 1 to 8, 2010.
My interest in writing is primarily an interest in the visual communication of gestural, handwritten and calligraphic marks...
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