
Replace Legibility With Creativity
Some notes of Monica's lecture, by Yvonne Perez-Collins:
“Start with type ….question all the rules, break them, get closer to handwriting.”
"Cursive writing never fully developed in Western writing where it was linked to business, government and commerce, where letterforms were easily recognized. Cursive was more developed in the Eastern regions of the world where it was linked to literature, poetry and women were often the scribes.”
“We often look at details, but forget to see the big picture. Step
away from your work; really see the composition of the marks. Watch
proportion of black and white on the page."
“White space on paper is the time of thinking for the brain.”
“The more you explore, the more you see the complexity within the simplicity of the black and white.”
“You put down your cultural knowledge when you put your marks on
paper. They represent your knowledge of how gravity works, the
physical way that you read books, and even your relation to the
wholeness of life"
This workshop was made possible by Risa Gettler, Susan Richardson, Viviana Lombrozo, Yvonne Perez-Collins, Dee Anderson, Cary Joel and Kathleen Morgan. A special thank to Risa Gettler and Susan Richardson!
Images curtesy of Viviana Lombrozo.
Venice 2010 - Workshop
An 8 days calligraphy workshop in Venice at the Correr Museum Library from Octobert 1 to 8, 2010.
Jardin Galerie
Jardin Galerie is a virtual and physical gallery for children in New York City. Four times a year they hold exhibits featuring children from local schools and arts organizations with input from children all over the world working on the same theme.